Wednesday, July 6, 2022

An update

Hey mates. For those of y'all still checking, I'm here to sort of give something of an update on what has been going on. To put it bluntly, I'm not really too interested in writing out all these stores and such anymore. I first started writing this when I was like 14, when I had a lot more time and a lot less worries. I'll also admit that, in my attempt to rewrite, I got quickly overwhelmed by the idea of having to have everything in a specific timeframe and whatnot fleshed out. Because of that, some restructuring is in order, should I ever decide to somewhat finish what me and The_Lifehouse started back then.

The next posts will be a lot less structured, jumping back and forth between times and bands as I come up with different ideas and we put albums together and such. I don't know if I'll ever make a proper structure out of it, but consider it something of a blueprint with which one could in theory build something of a chronology, whatever open gaps and plotholes there are up to the reader to fill out if I never do.

Cheers.

- Auran

Monday, July 26, 2021

February 1964 - July 1964: The Infestation of the Moptops



The Beatles arriving in America, 1964

On February 7th, 1964 at 1:20 p.m., the Pan Am Yankee Clipper Flight 101 from London Airport landed at the recently renamed John F. Kennedy Airport to a crowd of thousands of screaming fans. Stepping out of the plane were none other than George Harrison, John Lennon, Paul McCartney, and Ringo Starr, the four members of the British rock and roll group The Beatles, who were arriving in the United States for the first time following the success of their song "I Want to Hold Your Hand" in the country.

They held a press conference at the airport before being put into four limousines, one for each Beatle, headed for New York City. When they arrived at the Plaza Hotel there was already a large crowd of fans and reporters waiting for them. The band made their first television appearance two days later, on February 9th, on The Ed Sullivan Show to an audience of 73 million viewers across America, which was about two-fifths of the American population at the time.

"Yeah, it was marvelous. You know. Everything. Every bit of it was a knock-out. [...] we enjoyed it, you know. It was different working in different places with the audience all around us."
- George Harrison, 1964

This would be followed up by Vee-Jay Records' Introducing... The Beatles the next day and Capitol Records' Meet The Beatles ten days after that, both 12 tracks in length, the former taking primarily from Please Please Me and the latter primarily from With The Beatles, both great successes, reaching No. 2 and No. 1 on the Billboard charts, respectively. Meet The Beatles maintained its position for an unprecedented 11 weeks of it's 74-week chart stay. By the time the band returned to the UK, the US public bought more than two million Beatles records and had spent over 2.5 million dollars worth of merchandise.

The Beach Boys at "The T.A.M.I. Show", 1964

As the British Invasion in America began arriving at full force with the arrival of The Beatles in their home country, The Beach Boys had found themselves returning from a successful Australiasian tour in the first two months of 1964. While they and The Beatles shared the same record label in the US, they had seen support from Capitol immediately lessening. The band, particularly bassist Brian Wilson, saw them as competition.

"I couldn't understand how a group could be just yelled and screamed at. The music they made, "I Want to Hold Your Hand" for example, wasn't even that great a record, but they just screamed at it. It got us off our asses in the studio. [We] said 'look, don't worry about the Beatles, we'll cut our own stuff."
- Brian Wilson, 1995

The band's next record, titled after their hit single "Fun, Fun, Fun", was released in March 1964. It was the first album by the band to not include David Marks, who had left in the April of the previous year due to personal issues with Murry Wilson. It underperformed compared to their previous albums, taking six weeks to appear on the Billboard charts, peaking at number 13, and staying in the charts for only nine months.

Fun, Fun, Fun


Side A
01. Fun, Fun, Fun (2:06) [1]
02. Don't Worry Baby (2:49) [1]
03. Mother May I (2:14) [2]
04. Cassius Love vs. Sonny Wilson (3:31) [1]
05. The Warmth of the Sun (2:55) [1]
06. This Car of Mine (1:38) [1]
 
Side B
07. Why Do Fools Fall in Love (2:00) [1]
08. Pom, Pom Play Girl (1:32) [1]
09. Keep an Eye on Summer (2:23) [1]
10. I Do (3:08) [3]
11. Louie, Louie (2:19) [1]
12. The First Rock and Roll Dance (2:25) [4]
 
Released: March 2nd, 1964
Track sources:
[1] - Shut Down Volume 2, 1964
[2] - The Big Beat 1963, 2013
[3] - Shut Down Volume 2, 1964 (1990/2001 reissue)
[4] - The Big Beat 1963, 2013 (count-in edited out)
 
Poster for The Beatles' 1964 film A Hard Day's Night

With the astounding success of their first brief tour in America, The Beatles were offered a three-movie deal by United Artists Records' film division, primarily driven by the potential commercial success that stemmed from the release of soundtracks for the movies. The first of these movies, A Hard Day's Night, was directed by Richard Lester and involved the band for six weeks in March and April, playing fictionalized versions of themselves in a musical comedy written by Alun Owen. The film debuted on the 6th of July, 1964, at the Pavilion Theatre in London.

Like the band’s albums, the film was a huge success both critically and commercially, with the accompanying soundtrack album releasing in the UK on July 10th, 1964, preceded by the singles "Can't Buy Me Love" / "Money (That's What I Want)" on March 16th of the same year and "A Hard Day's Night" / "You Really Got a Hold on Me" the same day as the album. It was released in America on June 26th, 1964, months before the album was even released in America, with an altered tracklisting which, along with the seven songs from the movie and "I'll Cry Instead", which was cut from the movie last minute, included four instrumental orchestrations of Lennon-McCartney compositions arranged and conducted by George Martin.

Among the many albums and singles and EPs of previously released material the band had released up to that point around the world, they released a new EP of covers they recorded between working on the movie and going on their first world tour in June and July, where they would tour across Europe, Asia, and Oceania.

Long Tall Sally

 
Side A
01. Long Tall Sally (02:05) [1]
02. Devil in Her Heart (02:29) [2]

Side B
03. Slow Down (02:58) [1]
04. Matchbox (02:01) [1]

Released: June 19th, 1964
Track sources:
[1] - Long Tall Sally, 1964
[2] - With the Beatles, 1963

Author's notes:
And once again I fail to meet the two post per month goal. Ah well, fortunately however things might be picking up steam soon. Admittedly I don't care all that much for this early era of 62-64, but it should be easier from here on out, especially considering I can pull from the first draft and clean it up some. Either way, enjoy, and see you next month!

Thanks to Feromount for the Fun, Fun, Fun cover.

Friday, June 25, 2021

May 1963 - October 1963: A Brief in America

Bob Dylan, 1963

The release of Bob Dylan's second studio album, The Freewheelin' Bob Dylan proved to be an immediate success for the up-and-coming folk singer. It was universally critically acclaimed and he was soon considered "the most vital of the younger citybillies". He recorded well over 30 songs for the album, cutting it down to the best 13. Unfortunately, however, initial copies of the album were quickly recalled and substituted by a new tracklisting, which removed the songs "Rocks and Gravel", "Let Me Die in My Footsteps", "Talkin' John Birch Blues" and "Rambling Gambling Willie", replacing them with "Masters of War", "Girl From the North Country", "Talkin' World War III Blues" and "Bob Dylan's Dream".

"I was surprised when they pulled those songs off the album like that. They basically just told me they were changing the tracklisting to have some of my newer songs on it, which I didn't really mind but I still wanted those songs out there."
- Bob Dylan, 2011

The young folkie insisted to the label to keep the songs that were taken down from the album preserved in some form. The record label compromised, releasing the four songs in the form of an EP, released some months after the album.

“Columbia did a pretty shitty job of promoting the thing, though I guess I can chalk that up to EPs not really being a popular format.”
- Bob Dylan, 2011

Four by Bob Dylan


 
Side A
01. Rocks and Gravel (2:21) [1]
02. Ramblin' Gamblin' Willie (4:11) [1]

Side B
03. Talkin' John Birch Blues (3:45) [1]
04.  Let Me Die in My Footsteps (4:05) [1]

Released: June 10th, 1963
Track sources:
[1] - The Freewheelin' Bob Dylan, 1963 (original pressing)


The Beach Boys, 1963

1963 was a prolific and successful year for The Beach Boys. Having released two successful albums and scoring hits with the likes of "Surfin' USA", "Shut Down", "Surfer Girl", and "Little Deuce Coupe", it only made sense for their record company, Capitol Records, to want more material out of the band. The band hastily went into the recording studio days before their studio album Surfer Girl was set to release, recording 8 new songs bassist Brian Wilson had been working on as a response to the Capitol various artists compilation Shut Down. However, Capitol was unsure of releasing an album with previously released material, afraid that in particular the inclusion of the songs "Shut Down" and "409" would eat away at the profits from their own Shut Down album. As such, the band hastily recorded four more songs, two instrumental, and submitted the album under the name Shut Down, Vol. 2. The album was released only five weeks after their previous Surfer Girl, peaking at number 4.

Shut Down, Vol. 2

Side A
01. Shut Down, Part 2 (2:07) [1]
02. Custom Machine (1:38) [2]
03. Ballad of Ole' Betsy (2:15) [2]
04. Be True to Your School (2:06) [2]
05. Car Crazy Cutie (2:47) [2]
06. Cherry Cherry Coupe (1:47) [2]

Side B
07. All Dressed Up for School (2:24) [3]
08. In the Parkin' Lot (2:01) [1]
09. Spirit of America (2:23) [2]
10. No-Go Showboat (1:54) [2]
11. A Young Man is Gone (2:15) [2]
12. Denny's Drums (1:56) [1]

Released: October 14, 1963
Track sources:
[1] - Shut Down, Volume 2, 1964
[2] - Little Deuce Coupe, 1963
[3] - Little Deuce Coupe, 1963 (1990/2001 reissue)

Author's notes:
Hey folks. Sorry for the wait on this one. It took me a while because I wanted to do something with The Beach Boys for 1963 (in this case, the Little Deuce Coupe album without repeated material) however I didn't feel like that was enough for it's own post. Even then it took me a while to figure out exactly what to do with the album in a way that it still thematically works, and I think I came up with a pretty decent tracklist. I know I said I planned on posting two posts a month, however I don't think that'll be the case this month, however things should pick up from here on out. Thank you for reading.

I recently moved over from Windows to Manjaro which means I can't access Paint.NET so while I figure out GIMP comfortably I'm going to be outsourcing album covers, which I might keep doing from time to time. Credit goes to Feromount for the Shut Down, Vol. 2 cover, and to Reign (who also has a blog of his own) for the Four by Bob Dylan cover.

Wednesday, May 26, 2021

January 1963 - December 1963: The Four Lads from Liverpool

 
The Beatles with George Martin, receiving silver disc for Please Please Me single, 1963

With the release of their second single "Please Please Me" on January 11th, 1963, up and coming pop group The Beatles swept the nation of Britain with their first number one hit. Parlophone, wanting to quickly cash in on the success of the single, decided to follow it up with a full album. At 10:00 a.m. on February 11th, 1963, the band went into the EMI Studios in London. While initially planning to just play through their usual stage act, recording a mix of covers and originals, after going through a couple of failed takes of Mitch Murray's composition "How Do You Do It", they decided to go through a few more originals.

The 13-hour session lasted the entire day, with the band recording various songs, usually in very few takes. At the end of it all, the band had recorded 15 songs, 9 originals and 6 covers, more than enough for an album. However, before assembling the album, Brian Epstein, the band’s manager, talked to the band to propose an idea.

"Brian, he came to us some days later and told us about how he was trying to convince the label to release our record with just the originals, he really wanted to push us, me and John, as this talented songwriting duo and all, and we had recorded just enough originals to fill out the album, with the singles and all. We weren't too sure of it at first, especially because we hadn't played some of those live, we were really just kind of rehearsing those. But we trusted Brian, we really did, so we just sorta... went along with it."
- Paul McCartney, 1995

The higher-ups at Parlophone were at first doubtful of Epstein's proposal. It was practically unheard of for a pop group to release an album consisting solely of originals, not to mention that, even with the singles added, there were only 13 tracks in total. As such, the instrumental "Cry for a Shadow", recorded in 1961 in Hamburg, Germany, when they were Tony Sheridan's backing band The Beat Brothers, was included in the track listing. The album was released on March 22nd, 1963. To the surprise of the label and the band, the album would be a huge success, reaching No. 1 and staying there for 30 weeks, rocketing the band into national stardom.

Please Please Me


Side A
01. I Saw Her Standing There (2:58) [1]
02. Misery (1:52) [1]
03. Like Dreamers Do (2:35) [2]
04. Hello Little Girl (1:40) [2]
05. Hold Me Tight (2:33) [3]
06. Ask Me Why (2:29) [1]
07. Please Please Me (2:05) [1]

Side B
08. Love Me Do (2:24) [1]
09. P.S. I Love You (2:07) [1]
10. Do You Want to Know a Secret (2:01) [1]
11. Love of the Loved (1:49) [4]
12. Cry for a Shadow (2:23) [2]
13. There’s a Place (1:54) [1]
14. One After 909 (3:22) [2]

Released: March 22nd, 1963
Track sources:
[1] - Please Please Me, 1963
[2] - Anthology 1, 1995
[3] - With The Beatles, 1963
[4] - Various bootlegs

The band spent much of the first half of 1963 on tour, taking on three tours of the UK between February and June. During this time, as well as releasing their hit single "From Me to You" backed with a cover of "Anna (Go to Him)" on April 11th, on July 12th, 1963, Parlophone released an EP consisting of four of the covers the band recording during the Please Please Me session, titled Twist and Shout, in order to quench the demand for new Beatles material.

Twist and Shout


Side A
01. Twist and Shout (2:36) [1]
02. A Taste of Honey (2:06) [1]

Side B
03. Chains (2:28) [1]
04. Boys (2:29) [1]

Released: July 12th, 1963
Track sources:
[1] - Please Please Me, 1963

In between a busy schedule of touring, radio spots, and TV appearances, the band still found time to write and record new songs across July 1st and October 23rd, including another No. 1 hit, "She Loves You" backed with a cover of "Roll Over Beethoven". Despite having recorded a good amount of covers during the sessions, they were all left off the record, Brian Epstein convincing EMI and Parlophone it would be more beneficial to upkeep the "no covers" standard by including the previously released "From Me to You" and "She Loves You", plus the upcoming single "I Want to Hold Your Hand". When released in November, the album took the band's previous album's place at No. 1, staying there for a consecutive 21 weeks.

With The Beatles


Side A
01. It Won't Be Long (2:14) [1]
02. All I've Got to Do (2:05) [1]
03. All My Loving (2:10) [1]
04. Don't Bother Me (2:31) [1]
05. Little Child (1:49) [1]
06. I'll Get You (2:07) [2]
07. From Me to You (1:59) [2]

Side B
08. I Want to Hold Your Hand (2:28) [2]
09. Thank You Girl (2:06) [2]
10. This Boy (2:16) [2]
11. I Wanna Be Your Man (2:00) [1]
12. I Call Your Name (2:13) [2]
13. Not a Second Time (2:11) [1]
14. She Loves You (2:22) [2]

Released:
Track sources:
[1] - With The Beatles, 1963
[2] - Past Masters, 1988 or Mono Masters, 2009

While Capitol Records in America had for most of the year dismissed issuing any of The Beatles' material, the American press still caught wind of the so-called "Beatlemania" phenomenon in Britain, amusingly declaring that rock and roll had finally caught on in the "eccentric" UK. The band's first mention on US television taking place on November 18th, 1963, with a four minute report on NBC's The Huntley–Brinkley Report. The group hit chart success in America when in mid-December disc jockey Carroll James obtained a copy of the british single "I Want to Hold Your Hand", backed with "Please Mister Postman", and played it on the AM radio station WWDC in Washington, DC. The station was flooded with calls to request the song be replayed, and record stores were similarly flooded with requests for a single they didn't have. James sent the record to other disc jockeys around the country, where similar reactions were observed. On December 26th, the single was quickly issued by Capitol Records, quickly reaching No. 1 on the Billboard Hot 100, selling a million copies across the Atlantic by mid-January. Epstein quickly arranged for a $40,000 marketing campaign, with the band set to headline The Ed Sullivan Show in February of 1964.

Author's notes:
In all sincerity, I was quite anxious with publishing this and starting a return to Something Creative, but here it is. A new beginning. The timeline's starting sooner this time around, and we have big changes right from the get-go. I want chapters to be a bit more focused this time around, focusing on one or two artists at a time, it allows me to stay focused and really flesh things out, and I think this opening post is a good example of that. What do you think? Feedback is appreciated in the comments, and thank you for reading.

Tuesday, May 25, 2021

Prelude: Some Housekeeping Matters

Hello to everyone who's still here. It's been a while hasn't it? Well over a year since Something Creative went on hiatus, and a good 7 or so months since I took down all the original posts. Well, I'm glad to announce that Something Creative is officially back!

Since it's been a good while. I think some housekeeping is in order, no? For those who are new to the blog, this is where I am detailing and writing up an alternate history story, in a format similar to Strawberry Peppers and the recently revitalized A Crazy Gift of Time. It'll essentially follow the history of several musical acts that I enjoy in a (hopefully somewhat) chronological order, altering key events and coming up with alternate albums that the story is centered around, think the likes of soniclovenoize's well-known Albums That Never Were.

Now with a basic introduction to the premise of this blog out of the way, I should explain my plan here as to not get overwhelmed like last time. I'm planning the timeline much in advance, something which I failed to do for a good amount of the first draft. I also plan to have a somewhat consistent but reasonable upload schedule: at least two posts a month. I find that a decent goal to reach for; gives me some breathing room to not stress myself while not being able to get away with slacking off. I also plan to cut down a fair bit on "one-off" bands. A huge problem with the first draft is how cluttered it quickly got, to the point of being overwhelming for me. I intend to do more proper research on the bands I am writing about, to keep at least some level of plausibility, however don't be surprised if some of my ideas seem a tiny bit outrageous, it's all in good fun.

I came up with the name Something Creative as a sarcastic remark, due to my friend and co-author The_Lifehouse suggesting me to come up with "something creative" for the blog's name, and I thought it was quite fitting, due to the inherent creative nature of this overelaborate thought exercise. I will say ahead of time something that I didn't expressly make clear in the first draft, yet was quickly obvious: I am far from a professional writer. I'm just some high-schooler with too much time on her hands with an obsession with music of all kinds. This is little more than a passion project and I hope you suspend your disbelief a bit and treat as such. Thank you to everyone who accompanied the first draft, and I hope you stick around for this next attempt.

By the way, first chapter's releasing tomorrow. See you then!

- Auran